From a Text to a Cloud, 2026. Installation view at the Institut Français, London
Blueprint of the Skies, 42°3345 N, 71°1686 W (Massachusetts), 2024.
Blueprint of the Skies, 1.3521° N, 103.8198° E (Singapore), 2023.
These cyanotypes were selected for the Royal Academy Summer Exhibition in 2024 and 2025
The Clouds Chorus: Melodies of the Skies and their Journey Home, 2023.
1 marble, 2 limestones, 1 sandstone, 1 alabaster, wood, steel, cyanotypes, watercolours, high-definition single-channel video (colour), sound, 3min.51sec., loop (Ed. of 3 + AP). monitor, media player, headphone. Various dimensions: the area of the five sculptures H120cmxW110cmxL150cm + the cyanotypes and the watercolours 110x130cm + screen 32”
The Chemistry of a Blueprint, 2023. Installation view at the Handbag Factory Gallery, London
Ethereal Symphony 2, 2023.
Giclée on canvas, box frame, (Ed. of 3 + AP) 31.3x22.6x6.4cm
Melodies of the Skies and their Journey Home, 2023.
High-definition single-channel video (colour), sound. 3min.51sec., loop. (Ed. of 3 + AP)
January’s Sky, 2022. Screenprint, 35ed. + 10 AP
Light Rays Cutting Through Clouds, 2021. Indian green soapstone, cypress wood, steel. 92cm x 39cm x 39cm
Cloud Over Crate, 2020. Indian cream soapstone, pine wood, steel. 52cm x 35cm x 32cm
Light and Dark Cloudy Shadows, 2011-2018. Winner of the Gilbert Bayes Award 2019. Marble, Limestone, wood, steel. 110cm x 55cm x 88cm
The cloud is the most mutable of forms. It takes no fixed shape, occupies no fixed place, submits to no fixed medium. Stone, screenprint, cyanotype, video, watercolour. The series moves as clouds move, changing form as the work demands.
It begins with sculpture. The paradox of materialising the ephemeral. Stone clouds. Heavy, permanent, grounded. The lightness of the sky made weight.
From stone to paper, from paper to light. The cyanotype captures clouds from a plane window. The coordinates are real and unreal simultaneously. Like a cloud: located and unlocatable, present and already gone.
As Bachelard writes in The Poetics of Space, the home is a vessel for daydreams, a space where imagination finds form. As the outside cloud enters the home, it sheds its volatility and takes on presence.
In Melodies of the Skies, the clouds return as a video installation, moving, sounding, always in motion. Inspired by Aristophanes’ The Clouds, where clouds appear as a chorus capable of shaping human behaviour, and thoughts.
Clouds know no borders. They travel forever.