Monsieur Loyal, le dernier cri du pélican, 2025.
30 x 22 cm, watercolour and archival ink on Arches paper 300gm
Triptych, left: Ils avancent, pagayent sur les planches d’écume… centre: …ils comptent sur le rythme des vagues sèches right: Ce sont des pélicans calmes, sentinelles échapées du vertige… 2025.
30 x82 cm, watercolour and archival ink on Arches paper 300gm
The Cyclamens Shall not Bloom this Year (West), 2024.
48 x 34 cm, watercolour and archival ink on Arches paper 300gm
The Cyclamens Shall not Bloom this Year (East), 2024.
48 x 34 cm, watercolour and archival ink on Arches paper 300gm
Fishing on a Tridacna Cosmetic-Vessel, 2023.
34 x 49 cm, watercolour and archival ink on Arches paper 300gm
Baalback’s Divine Breath, 2023.
42 x 26 cm, watercolour and archival ink on Arches paper 300gm
Sink into Oblivion: The Waltz in Three Acts, 2022.
Triptych 33 x 84 cm, watercolour and archival ink on Arches paper 300gm
The Inside of an Umbrella on a Full Moon, 2022.
Triptych 33 x 84 cm, watercolour and archival ink on Arches paper 300gm
Let the Good Times Roll, 2021-2022.
Triptych 28 x 99 cm, watercolour and archival ink on Arches paper 300gm
The Green Piper: A stranger arrived on a beautiful evening, from his pipe he was making strange sounds, 2021.
28 x 33 cm, watercolour and archival ink on Arches paper 300gm
Le Carnaval du Jour, 2021.
28 x 33 cm, watercolour and archival ink on Arches paper 300gm
Carnival. The arena. The masquerade is not escape, it is survival. A way of seeing when seeing becomes impossible.
The works move between languages, between East and West, between the sacred and the absurd. Stories arrive, from mythology, from history, from the street, and take their place in the arena.
Carnival has always been the space where order dissolves and another truth becomes possible. The fourth wall holds, and breaks.